Fahrenheit 451

Photo: Here

"Don't give them slippery stuff like philosophy or sociology to tie things up with. That way lies melancholy. Any man who can take a TV wall apart and put it back together again, and most men can, nowadays, is happier than any man who tried to slide-rule, measure, and equate the universe, which just won't be measured or equated without making man feel bestial and lonely. I know, I've tried it; to hell with it. So bring on your clubs and parties, your acrobats and magicians, your daredevils, jet cars, motorcycle helicopters, your sex and heroin, more of everything to do with automatic reflex. If the drama is bad, if the film says nothing, if the play is hollow, sting me with the theremin, loudly. I'll think I'm responding to the play, when it's only a tactile reaction to vibration. But I don't care. I just like solid entertainment."

Fahrenheit 451, p. 61

By Ray Bradbury

Published 1953

The Man of My Dreams

"And yet attending to things that make Hannah unhappy - it's such a natural reflex. It feels so intrinsic, it feels in some ways like who she is. The unflattering observations she makes about other people, the comments that get her in trouble, aren't these truer than small talk and thank-you notes? Worse, but truer. And underneath all the decorum, isn't most everyone judgmental and disappointed? Or is is it only certain people, and can she choose not to be one of them - can she choose this without also, like her mother, just giving in?"

The Man of My Dreams, p. 139
By Curtis Sittenfeld
Published 2006

The Magicians

Photo: Here and here.

"As much as it was like anything, magic was like a language. And like a language, textbooks and teachers treated it as an orderly system for the purposes of teaching it, but in reality it was complex and chaotic and organic. It obeyed rules only to the extent that it felt like it, and there were almost as many special cases and and one-time variations as there were rules."

The Magicians, p. 149
By Lev Grossman
Published 2009